SELECTED PERFORMATIVE EVENTS / SYMPOSIUMS / SEMINARS /
Have you ever been fully human (2024)
Symposium. Organised in collaboration with Galleri Image.
Thursday Feb 29, 2024 at Kunsthal Aarhus.
The symposium is organised as part of to the solo-exhibition Destiuent Bodies? by Lise Tovesdatter Skou, which is shown at Galleri Image in the period 13.01 – 10.03.2024.
Speakers:
Keynote speaker Erin Manning, cultural theorist, political philosopher, artist and professor at Concordia University, Montreal.
Mikkel Bogh, director of the Center for Practice-based Art Studies at Copenhagen University.
Sidsel Nelund, founder of (art re.search).
Jacob Lund, associate professor in Aesthetics and Culture at Aarhus University.
Mille Breyen Hauschildt, ph.d. student in Aesthetics and Culture at Aarhus University
Introduction by Lise Tovesdatter Skou
Moderated by Kamma Overgaard Hansen
About the symposium
The symposium explores the questions: What defines us as humans in today’s Western capitalist society – and what kind(-s) of humans do we want to be? The symposium will seek answers to these questions from a posthuman, neuro queer theoretical, feminist, and capitalism-critical perspective. Furthermore, it will include reflection on questions such as: What does society demand of its citizens? How do we react when we are unable to meet these demands? And how can art contribute to the investigation of these questions?
Defining ourselves as humans, and analysing our positions regarding this matter, implies defining what humanity is. The symposium will shed light on the ways in which citizens become humans, rather than just mechanical pieces of the capitalist production machinery. This will include a critical look at the means by which we as human beings twist, turn, and stretch ourselves in order to fit into the system and remain valuable to society as measured by labour, societal engagement, and home maintenance. Not least, the symposium will problematise the ways in which maintenance work is underestimated and overlooked in everyday life as well as in the public debate despite its obvious and essential role in upholding a functional society. A question asked here could be one of whether our dawning posthuman reality has led us even further away from the recognition of the basic needs covered by (somebody else’s) maintenance effort.
Furthermore, the symposium wishes to discover the strategies used by those unfit to meet the societal expectations – those being representatives of groups overlooked in the general debate or simply neglected as valuable contributors to society due to departure from societal norms. What happens if an individual retraces from the mass or is simply excluded from it? And do the strategies of retraction and destitution hold a potential to liberate the individual and make room for a more empathetic, inclusive, and fully human individual?
Finally, the symposium aims to investigate the potential of art as a way to hold on to our humanity in a posthuman time. Does Art hold a potential to research and reflect upon more sustainable ways of being in the World? And if so – how do we facilitate and remain in a fruitful dialogue with art
As part of the symposium, we will include a visit to Lise Tovesdatter Skou’s exhibition Destituent Bodies? that is the base for the concept and themes at the symposium. The title of the exhibition emphasises the idea that the body will never be performing at an adequate level in the late capitalist society where productivity is high, work of caring nature is not valued as real work, and the framing of work does not leave any room for neurodivergent individuals. The symposium thus serves as a supplement to, and an expansion of, the themes processed in the exhibition.
The exhibition and symposium are supported by the New Carlsberg Foundation, the Danish Arts Foundation, Jutland’s Art Foundation, the city of Aarhus (Kulturudviklignspuljen), the A. P. Møller and Chastine Mc-Kinney Møller Foundation, and the Hoffmann & Husman Foundation.
The Invisible Hearts Café (2018)
A performative event by Andrea Creutz and Lise Tovesdatter Skou
At Kunsthal Aarhus.
Workshop with cards, reading club, archive boxes and exchange café.
About the event
Shedding light on Hidden Economies is at the core of this project. The project focus on dichotomies such as work/non-work, paid work/unpaid work, cultivation of self-interest / care for others. Departing in the feminist critique of political economy we counterpose Adam Smith’s famous market economy principle of The Invisible Hand (i.e. the individual who is beneficial to himself also indirectly benefits the community or the public), with the economist Nancy Folbre’s concept of The Invisible Heart. Folbre’s concept shows that care and reproductive work, in the household as well as in the labour market, sustains the whole body of society. The Invisible Heart is a necessary – yet unrecognized or undervalued – condition for The Invisible Hand to even exist!”
Hidden Economies – a seminar on economic possibilities (2014)
Organized by Bonnie Fortune, Brett Bloom and Lise Tovesdatter Skou
At The Royal Academy of Art, Copenhagen
Hidden Economies – A seminar on economic possibility raises a discussion about hidden economies–existing within, next to, beside, and around capitalism. The seminar was inspired by the work of feminist, economic geographers JK Gibson-Graham (Julie Graham and Katherine Gibson), who worked on several publications and projects that sought to destabilise the “monster” of a capitalist economy.
Capitalist processes shape our daily experiences but do they define them? How and where are people creating economies that ignore the dominant economic system? How do these economies–shared, exchange based, micro-local, etc.–function and what do they look like? Are they temporary or are they sustainable?
Hidden Economies consisted of presentations and workshops from artists, activists, and scholars focused on issues of economy within their work. The seminar focused on how cultural work may contribute to shedding light on economic difference and articulating new economic realities. Central for this project was the idea that economies are always diverse and in the making. Economics from a feministic perspective organised by Bonnie Fortune, Brett Bloom and Lise Tovesdatter Skou.